Tuesday, November 1, 2011
Allegory of the Cave
Socrates describes a group of people who have lived chained to the wall of a cave all of their lives, facing a blank wall. The people watch shadows projected on the wall by things passing in front of a fire behind them, and begin to ascribe forms to these shadows. According to Socrates, the shadows are as close as the prisoners get to viewing reality. He then explains how the philosopher is like a prisoner who is freed from the cave and comes to understand that the shadows on the wall do not make up reality at all, as he can perceive the true form of reality rather than the mere shadows seen by the prisoners.
Sunday, October 9, 2011
Material List
Often times I see the work of other artists and I wonder what materials they used. I'm posting this to share what works for me:
Oils Painting
paints:
rembrandt, utrecht, windsor newton, dan smith, hans holbein
colors:
titanium white
cad yellow light
cad yellow dark
cad red
alizarin crimson
ultramarine blue
burnt sienna
+ gray made from opposite colors
b.sienna + u.blue
cad orange + u.blue
These are colors that I put on my palette occasionally:
cad orange
naples yellow
burnt umber
cobalt blue
Brushes
Monarchs - flats, rounds,
Bristles - princeton, blick,
Mediums
Sometimes use terp at the start, but not much afterwards
_________________________________________
Watercolors
Paints:Daniel Smith, Windsor Newton, M. Graham, Holbein,
Brushes
Raphaƫl Kolinsky Red Sable Extra Pointed Round: 8
Winsor & Newton Series 7 Kolinsky Sable Pointed Round: 2
Escoda Optimo Kolinsky Sable Watercolor Brushes: 8, 6
Paper
Arches for highend - I've been using cold press, but I may start trying out hot pressed
Canson for sketches
_________________________________________
Monotypes
ink: CHARBONNL ETCHNG INK
paper: RIVES PAPER/BFK 22X30 WHT 280G
press: 9 x 12" Press by Polymetaal
_________________________________________
Sketching
Bee Paper Aquabee Super Deluxe Sketchbook
Faber-Castell Pitt Artist Pens
Oils Painting
paints:
rembrandt, utrecht, windsor newton, dan smith, hans holbein
colors:
titanium white
cad yellow light
cad yellow dark
cad red
alizarin crimson
ultramarine blue
burnt sienna
+ gray made from opposite colors
b.sienna + u.blue
cad orange + u.blue
These are colors that I put on my palette occasionally:
cad orange
naples yellow
burnt umber
cobalt blue
Brushes
Monarchs - flats, rounds,
Bristles - princeton, blick,
Mediums
Sometimes use terp at the start, but not much afterwards
_________________________________________
Watercolors
Paints:Daniel Smith, Windsor Newton, M. Graham, Holbein,
Brushes
Raphaƫl Kolinsky Red Sable Extra Pointed Round: 8
Winsor & Newton Series 7 Kolinsky Sable Pointed Round: 2
Escoda Optimo Kolinsky Sable Watercolor Brushes: 8, 6
Paper
Arches for highend - I've been using cold press, but I may start trying out hot pressed
Canson for sketches
_________________________________________
Monotypes
ink: CHARBONNL ETCHNG INK
paper: RIVES PAPER/BFK 22X30 WHT 280G
press: 9 x 12" Press by Polymetaal
_________________________________________
Sketching
Bee Paper Aquabee Super Deluxe Sketchbook
Faber-Castell Pitt Artist Pens
Saturday, June 18, 2011
Relocating
Currently, I'm in the midst of changes and will not be updating this site for a bit. If you're interested in seeing art instead of reading about it, you can click here.
Maddrey.net
Maddrey.net
Sunday, May 29, 2011
Grand Re-Opening of the Historic Mono Inn
If you're traveling along the legendary 395 highway be sure to stop at the Historic Mono Inn. I'm currently assembling a exhibition there. The date will be announced as soon as I pick one.
Historic Mono Inn
Historic Mono Inn
Tuesday, March 8, 2011
Update on Maddrey.Net
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Friday, June 4, 2010
Teaching Art
One time I decided to take a life drawing class at the local art league. The class was filled with about ten or twelve people with most of them being interesting. The teacher was a woman who painted ultra realistically. Her paintings were nice, but her teaching style was atrocious. I had asked her a question about something or other and her response to me was, I can't help you, I don't paint the way you do. I thought that was the lamest stupidest answer I've ever heard and I almost left the class right then and there, but I paid for use of the models so I was going to use them regardless of how useless the teacher is.
It just annoyed me that a teacher would say something that ignorant. It made me remember that not all teachers are good. In fact, most are not really that good and it's so annoying. A good teacher can elevate a student to their potential, this lady was just killing time on a Tuesday night.
It just annoyed me that a teacher would say something that ignorant. It made me remember that not all teachers are good. In fact, most are not really that good and it's so annoying. A good teacher can elevate a student to their potential, this lady was just killing time on a Tuesday night.
Labels:
teaching art
Tuesday, June 1, 2010
Watching Programs
On Netflix, you can watch certain TV programs that you might see on Discovery Channel or PBS. I've tried to watch a view, but they remind me of why I don't like watching television.
This one program I tried to watch was about the Middle Ages. It sounded like it could have shown some interesting information. Unfortunately it was produced in that same old boring way all TV shows are produced. With an emphasis on theatrics and violence, the show plodded along without giving the viewer any useful information.
I should have known better, because the intro to the show was done with lightning fast edits between clips of dungeon torture scenes, muddy war battles and some so called 'expert' droning on about how horrible the times were. All these types of shows are the same. There's a system that works for shows about Vietnam, Ancient Egypt, or the Middle Ages. Show some dumb reenactment, show some 'expert', back to the dumb reenactment with a voice over, pan over some photos, roll credits.
That Ken Burns guy does an alright job with documentaries like Jazz and the Civil War, but overall this format for presentating information is pretty boring. So needless to say I wasted about ten minutes of my life watching this horrible show before I realized it wasn't going to get any better.
This one program I tried to watch was about the Middle Ages. It sounded like it could have shown some interesting information. Unfortunately it was produced in that same old boring way all TV shows are produced. With an emphasis on theatrics and violence, the show plodded along without giving the viewer any useful information.
I should have known better, because the intro to the show was done with lightning fast edits between clips of dungeon torture scenes, muddy war battles and some so called 'expert' droning on about how horrible the times were. All these types of shows are the same. There's a system that works for shows about Vietnam, Ancient Egypt, or the Middle Ages. Show some dumb reenactment, show some 'expert', back to the dumb reenactment with a voice over, pan over some photos, roll credits.
That Ken Burns guy does an alright job with documentaries like Jazz and the Civil War, but overall this format for presentating information is pretty boring. So needless to say I wasted about ten minutes of my life watching this horrible show before I realized it wasn't going to get any better.
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